“I’ve had the pleasure of working with Allan on two Netflix features. The DIT service he provides, is second to none in this country! We know our footage is safe and well taken care of. The very fast turn-around for dailies is unmatched, and I am dependent on the framegrabs that constantly fly into my phone from Allan. My creative team and I are helped and supported in a way that is vital for our entire production. Allan provides that!”
Mehdi Avaz, director - Toscana and A Beautiful Life (Feature films, Netflix, SF Film and Rocket Road Pictures)
“I was super happy to have AKA on this job. Whenever I needed look corrections and adjustments, they quickly provided, that was perfect! I was very pleased to have them by my side :-)”
Lasse Frank, director of photography - Nattevagten 2 (Feature film, Nordisk Film)
“Working with Allan on my latest film, has been notHing short of a pleasure. He’s dedicated to his profession, always making sure that our footage is safely taken care of on set. He’s available, attentive and lovely to be around. Especially his shared photoalbums that are constantly being updated with framegrabs AS you shoot, was a new delightful feature that I hadn’t tried before. But now that I have, I cannot see myself working again without it.”
Frederik Louis Hviid, director - De Lydløse (The Quiet Ones) (Feature film, Zentropa)
“It was a tremendous help for both the director and I, to have AKA Digital Imaging and Allan onboard, on our heist-movie The Quiet Ones. To have dailies available immediately after wrap, gave us a swift possibility to already start discussing and preparing for the next day, in the car back to the hotel, instead of waiting until the evening the next day, as it’s usually the way we do it in Denmark. I really loved, that I constantly got framegrabs shared directly to my phone, which was an extremely helpful and now an indispensable tool, for me to always have updated references, from prior scenes when we had to match lighting and style, as well as having an ever updating moodboard of the entire film, right in my pocket. ”
Adam Wallensten, director of photography - De Lydløse (The Quiet Ones) (Feature film, Zentropa)
“I am thrilled to write a testimonial for Allan, who truly exemplifies excellence as a Digital Imaging Technician (DIT). He approaches every project with a thorough understanding of the technical requirements, ensuring that the right equipment and workflows are in place for a seamless production.”
Production Company - Countless commercials
“Kale Jessen is an exceptional QTake operator hailing from LA and now making waves in Copenhagen. Kale's remarkable talent goes beyond his technical prowess – his seamless communication with directors and clients sets him apart. His adaptability and professionalism make him a valuable asset to any team”
Production Company - Countless commercials
“I knew I would have to work closely together with Allan, to make sure we were on the right path. we constantly had to review the footage during our days on set. With Allans superior DIT Platform we made it all work the way we intended it. We NEVER had an issue with our Footage. Director was happy. Client was happy. and I WAS happy!”
Peter Holm Riis, director of photography - Audi (Commercial, KieferWorks and Production Service)
“AKA’s DIT service has no equivalent in Denmark. They’re on set, backing up, grading, matching and adjusting looks on the go! I felt in good hands and very safe, thaT they were near at all times. The on set dailies lab, with instant uploaded dailies and stills, from the same day it was shot, was indispensable.”
Rasmus Heise, director of photography - Når Befrielsen Kommer (Feature Film, Nordisk Film)
“I had the pleasure of AKA’s DIT service on the Netflix feature, Toscana. It created security and peace of mind, that our footage was QC’ed immediately. We could match, adjust and change our LUTs continuously. I had full control, of what was channeled to post. We had dailies on the day, not the day after! That really helped and supported the creativity.”
Michael Sauer Christensen, director of photography - Toscana (Feature Film, Netflix)
“we take data handling serious, without compromising on professionalism! We understand the significance of this crucial task, and we entrust it only to skilled experts, rather than untrained personel.
AKA Digital Imaging is among our go-to partners. They provide unparalleled data management right on set, secure backups and a quick turnaround for editing proxies. This efficiency is very valuable, for our demands of our first draft edits, within a timeframe that aligns, with our budget and scheduling constraints.
Beyond data management, They play a pivotal role in supporting our cinematographers and directors. From color management to on-set grading, the prime services, includes swift sharing of frame grabs and addressing other related needs.
AKA Digital Imaging is definitely one of the best in the game and their know-how and smooth contributions make them a key player in our crew!”
Production Company - Countless commercials